Sunday, September 20, 2026

Third and Final Teaser for French Toast a la Santa Fe (Coming Oct. 13, 2026)

 1929. Chicago Union Station.

“All aboard the Santa Fe El Navajo for Los Angeles, with stops in Kansas City, Albuquerque, Williams, and Barstow,” called the conductor, as he walked along the platform.

Edie suddenly embraced the matronly woman in the drop-waisted silk shantung dress with matching toque standing next to her. 

“Oh, I will miss you, Momma,”  she said. 

“And I will miss you!” her mother replied, before turning and embracing her sister Gertie. 

“You girls have a wonderful trip but do be careful. Edie, you take care of your little sister.”

The family resemblance was strong. Edie and Gertie had the same dark eyes and full mouth as their mother, though their dark hair was shingled under their wide-brimmed picture hats. They wore similar silk afternoon dresses, but theirs were knee-length, with flounced hems and short, fluttery sleeves. The bands and large bows on their hats matched the fabric of their dresses. Long ropes of pearls hung from their necks, while their mother wore a shorter, more conservative multi-strand pearl necklace. Jewels glittered from the ears of all three. 

“Momma!” protested Gertie. “Edie’s only a year older than I am!”

“Oh, Momma, the Fred Harvey Company won’t let anything bad happen to us,” Edie said at the same time. “Besides, Gertie is eighteen now. She can take care of herself.” The two giggled.

“Ahem.” Their father, a middle-aged, balding man in a tailored navy-blue summer wool suit and derby, cleared his throat. He pulled a wad of cash out of his pants pocket. “Your expenses for the Detour have all been paid, but you’ll need a little something for extras.” He divided the stack in two and handed one stack to each, holding back two bills. “Now, don’t you two come back all decked out in jewelry, looking like Theda Bara.” They giggled at him as they slid the bills into their envelope clutch purses. 

He held out one of the two bills. “Now, Edie, you give this to your porter when he shows you to your room.” She nodded and took the bill. “And you give him this,” he held out the second, “when you leave the train at Las Vegas.”

“Yes, Poppa.” She added the bills to those in her purse. 

“Your luggage is already on the train. I had them put your valises in your room. Now, give me a kiss, and get on that train!” He bent his head down and the girls bestowed a kiss on each cheek at the same time.

They trotted to the train, their spike heels clicking on the platform. They turned on the train steps and waved to their parents before following the Negro porter down the corridor to their drawing room. He held the door open for them. Their valises were standing in the middle of the room, between the bench seats that would be made into a berth at night, and the sofa facing them. 

“There’s still time for lunch in the dining car, if you hurry,” he said.

“Oh, thank you!” Edie said, “We’ll head down there as soon as we’ve freshened up. And this is for you.” She  held out the bill that her father had given her. 

“Thank you, miss. Will you be wanting a table? I can install it while you’re at lunch.” 

Edie looked at Gertie, who shook her head. “No, thank you,” Edie said. “Maybe tomorrow.”

“Very good. I’ll be back this evening to make up the beds, but if you need anything in the meantime,  just press this bell here.” He showed her the button set into the wall, then bowed, stepped back into the corridor and closed the door. 

Gertie flung her hat onto one of the bench seats. She sat down suddenly as the train jerked and began to accelerate out of the station. Edie held on to the back of the other seat. 

“A whole week without Momma and Poppa,” Gertie exclaimed, throwing her arms wide and her head back. 

“And with cowboys … and Indians!” Edie responded in the same tone. She set her hat on the seat. “We’d better hurry if we want to get lunch, although I’m not particularly hungry after the brunch we had at the Harvey House at the train station. Maybe I’ll just get a salad.” 

Gertie jumped up. “Who says we have to have a meal? I’m just going to have dessert. I’ll bet if I ask nicely, and sweeten the deal, as Poppa says, they’ll let us pick from the dinner desserts.”

“Me, too, then!”

They stepped out and Edie shut the door behind them. They linked arms and walked down the corridor, swaying to the rhythm of the carriage, chattering excitedly about the trip ahead of them. 

***

“That was the best peach pie I’ve ever eaten,” Gertie said as they neared their room. “I’m going to have another piece at dinner.”

“It was pretty tasty,” Edie agreed. “I was kind of disappointed that there were so few people in the dining car.” She paused and pushed her lips out in a pout. “And not one of them was a cowboy.” 

“Or even a young man on his own!” Gertie added. She opened the door to their room and stepped inside, then stopped. “Who are you? What are you doing here?”

“Move on in, Gertie,” Edie said, nudging her. “Who are you talking to? Let me see!” She crowded into the room behind her sister. 

They stared at the young woman sitting on their sofa, her blue eyes brimming with tears, a handkerchief crumpled in her hands. Blonde curls peeped out from under her broad-brimmed picture hat with a pink silk rose on the band. Her clothing was as fashionable and expensive-looking as theirs, but with far more ruffles and frills. 

“Close the door!” she hissed. “Don’t let them know I’m here.” 

Edie closed the door behind them as she followed Gertie further into the room. Gertie sat on the bench seat farthest from the door. Edie sat on the closer seat and asked, “Who are you? Why are you here? And who is ‘them?’”

“My name is Mary Christiansen. I’m from Chicago.” 

“Chicago? We’re from Chicago!” Gertie replied. “I’m Gertrude Rubinstein and this is my sister, Edith, but everyone calls me Gertie, and everyone calls her Edie.”

Mary smiled wanly. “Pleased to meet you.” She took a deep, shuddering breath. “I need your help. I saw you when you boarded the train and you look so kind … I followed you and waited in the ladies’ lavatory until the porter left.” She took another deep breath. “I must have waited too long, because no one answered when I knocked on the door, so…” She shrugged. “I came in to wait for you.”

“But why do you need our help?” Gertie asked. “And who are you hiding from?”

Mary dabbed at her eyes before answering. “I’m hiding from my father and my brother. I, I ran away from home.”

“Why did you do that?” Gertie exclaimed excitedly. 

Edie shook her head and held up a hand. “Let Mary tell us in her own time.”

“I’m on my way to Kansas City to get married against my father’s wishes.” She paused as Gertie gasped. “John and I met last summer, when my family went out to Colorado to a dude ranch. He’s one of the ranch hands.” She stopped again as Gertie exclaimed, “A cowboy! Is he a cowboy?”

Mary nodded. “Yes, he’s a cowboy, although he’s been saving to start his own ranch. But that’s the problem. My father doesn’t think he is good enough for me.” She shook her head. “John did the right thing. He came out to Chicago to ask my father for my hand in marriage, but Father threw him out and forbade me to see him again. But, I love him!” She looked beseechingly at Gertie and Edie. “And he loves me! So, we decided to elope to Kansas City.”

“Oh, it’s so romantic,” Gertie sighed. “Just like in a book! Isn’t it, Edie?”

“Just like a Zane Grey novel,” Edie agreed. “We read all of his books! That’s why we asked for the Indian Detours as our high school graduation gift from Poppa and Momma.”

“So you will help me?”

“Of course we will,” Edie exclaimed. “If we can. But tell us how.”

“I knew you would! I saw my father and William get on the train as it was leaving the station. That’s why I hid in your room instead of waiting for you to come back. I need you to help me get off the train at Kansas City without them seeing me.”

“How did they know that you were on this train?” Edie asked. 

“I sent my maid to pick up the ticket so that I could get straight on the train when I got to the station. She must have told them.”

“Oh! The traitor!” Gertie growled. 

Mary shook her head. “My father can be very intimidating. I knew that he’d get it out of her sooner or later. I had just hoped that it would be later.” She brightened. “I had her book it through to Los Angeles, so they don’t know where I’m getting off.”

Gertie giggled. “They’ll have to check every stop!” 

Mary nodded.

“Let me think,” Edie said, gazing off into space.

“Leave it to Edie,” Gertie whispered. “She’s the smart one.”

The only sound in the compartment for several minutes was the low rumble of the wheels on the tracks. Edie smiled. 

“I have it.” She rifled through her clutch purse and pulled out a train schedule. She nodded as she read through it. “Yes, that will work. The train stops for twenty minutes at Kansas City at one-fifteen in the morning.” She looked at Mary. “Do you have your ticket with you?”

“Yes, it’s in my purse.” Mary searched through her clutch and held out a ticket. “I’m in a lower berth. I couldn’t afford a room.” 

“Would the porter in that car know you?”

“No,” Mary shook her head. “I don’t think so. I only saw him for a moment when he checked my ticket.”

“Good. Do you have any luggage?” 

“Just an overnight bag. I left it in the berth.”

“That’s fine. Here’s what we’ll do. Give Gertie your ticket.” Mary handed the ticket to Gertie. “She’ll take your place in the berth and you’ll stay here until just before we reach Kansas City.” She looked at Gertie. “Come back here about one o’clock and bring Mary’s bag with you. Luckily, you two are about the same size. Gertie, you’ll change into Mary’s clothes then, and she’ll change into yours, just like Prudence and Robin in The Masqueraders.”

“We love Georgette Heyer, don’t you?” Gertie asked Mary.

“Oh, yes.” Mary sighed. “I read These Old Shades so many times, it fell apart!” 

“So did we!” Edie exclaimed. “It was wonderful. Now, back to our plan. When the train stops at Kansas City, Gertie’ll get off first and—“

“And stroll along the platform,” Gertie said excitedly. “Luring the pursuers away.”

Edie nodded. “Mary and I will watch from the door to the car, and as soon as they’re far enough down the platform, we’ll quickly head for the station.” 

Mary’s eyes shone. “And for John!”

Gertie jumped up. “I’d better get on my way! I’ve never played fairy godmother before!” She picked up her hat and her purse. 

“One more thing,” Edie said. “You go to dinner by yourself. I’ll call for the porter to install a table and Mary and I will eat here. And you might want to take a book with you.” 

“Silly me!” Gertie giggled. “I’ll need something to do, since I won’t have you to talk to.” She pulled a book out of her valise, then opened the door to the corridor. “Wish me luck!” She closed the door behind her as she left.

“I’m going to call the porter,” Edie said. “So you’d better hide in the lavatory.” Mary nodded and slid into the tiny compartment. 

*** 

“Edie, are you awake?” Gertie pushed the door open a crack. “I know I’m a little early, but … well …”

Edie opened the door fully. “Come on in. We’ve been waiting for you. I had the porter make up the berths, but we’re too excited to sleep!”

“Me, too! And the clackety-clackety-clack of the wheels drove me up the wall! I just laid there, staring out the window at the stars.” Gertie looked at Mary. “Let’s hurry and change clothes! Here’s your valise.” 

The two young women quickly removed their outer clothing and exchanged it, with Edie helping to do up fastenings. She tucked Mary’s blonde curls up under Gertie’s hat that rested on Mary’s head.

Gertie and Mary looked at each other and then at themselves in the full-length mirror. 

“Father will never recognize me in this,” Mary said. 

“I almost don’t recognize myself!” Gertie giggled. “What about jewelry?”

“Better wear your own,” Edie answered. “It’s one thing to swap clothes, but Poppa would be furious if we swapped jewelry!”

“Oh,” Mary said, her face twisted in consternation. “How will I return these clothes to you?”

“And how will we get these back to you?” Gertie asked. She and Mary stared at Edie, waiting. 

Edie pulled a visiting card out of the case in her purse and handed it to Mary. “You can send them to us at this address once you’re settled. Include your address and we’ll send yours to you.” 

Mary tucked the card into her purse. “But won’t you need these for your trip?”

They giggled. Gertie spoke, “Oh, goodness, no. We have more than enough. Momma saw to that.”

“If you’re certain,” Mary said. 

“We are,” Edie said firmly. “It’s good that your valise doesn’t have your initials on it. We won’t have to worry about your father or brother noticing it.”

Mary nodded. “I did think of that. My own luggage does, so I bought this one from my maid.”

“The train is starting to slow down. We must be close. As soon as it stops, Gertie, you go down the corridor and we’ll follow a couple of minutes later.” 

They all crowded at the window to watch as the station platform came into view. The electric bulbs glowed yellow in the dark of the night, casting circles of light beneath their poles. The shadows between them were darker by contrast. As the train got closer, they could see clusters of people hovering near the tall double doors to the station on the brightly lighted platform. The train jerked to a stop with a squeal of metal on metal. Two men appeared on the platform at the side of the train.

“Oh, no!” Mary wailed a few seconds later. “There’s my father and my brother! They must have been waiting by the doors to get off the train so quickly.”

Gertie nodded. “They walked past me a couple of times when I was sitting in your berth.”

Mary pointed. “Look! My father is watching this half of the train and my brother the other half. I can’t leave the train without one of them seeing me!”

“Don’t worry. I’ll distract them!” Gertie said and left the compartment. 

Edie and Mary continued to watch from the window until they saw Gertie step onto the platform.  “Look, there she is!” Edie said. They watched her stroll slowly up and down the platform, passing in front of Mary’s father and brother. 

“But, they’re ignoring her!” Mary wailed again. “They aren’t fooled at all. I should have known that they wouldn’t recognize my clothes.” She gasped and covered her mouth with her hand. “And there’s John!” She pointed at a tall, lean young man in a cowboy hat who had just come out of the center doors of the station. “If they see him, it will all be over. What can I do? How can I warn him?”

“Oh, dear. And I thought there’d be more passengers on the platform for us to hide among as we headed for the station.” Edie paused. “Oh, look! John must have seen your father. He’s gone back inside to wait for you.”

“Thank goodness,” Mary breathed. She shook her head. “We’ll never make it. They’ll see me, I just know it. All of our plans have failed.”

“We’ll just have to take our chances,” Edie said firmly, “unless you want to go back to Chicago.” She looked inquiringly at Mary. 

Mary took a deep breath. “No. It’s worth any risk to be with John. Let’s go.” She picked up her valise and flung open the door. Edie followed her as she marched down the corridor past the women’s lavatory to the entrance to the train car. They stood behind a small group of passengers clustered at the top of the steps, descending one by one to the platform. 

“Stay close to them as we get off,” Edie whispered, as they waited for the other passengers to disembark. “Try to keep in the middle of the group. And keep your head down!” 

Mary nodded. Edie crowded to stand beside her and linked arms with her. “They’ll be looking for a girl alone, so stay close to me.” They carefully made their way down the narrow stairs. 

“What are my father and brother doing?” Mary asked, keeping her head down as instructed. “Can you see John?”

Edie looked around the platform. “No, I don’t see John, but your brother is coming this way.”

Mary looked up. “Where? He must have seen me! Oh, what will we do?” She pulled forward against Edie’s arm.

“Keep your head down and keep walking,” Edie hissed, “but don’t run!” She forced Mary to walk with measured steps for several feet, then casually looked around. 

“Whew! He’s stopped and is shaking his head. Now, he’s walking back toward the train. He must have decided that he was mistaken.” Edie looked forward again. “We’re almost there. Don’t run!”

“Well, that was a frizzler,” Gertie said as she came up behind the other two. “They barely looked at my face. And I tried all of my best tricks to get their attention, too. I dropped my hankie in front of your father, but he ignored it. Then I tripped and fell against your brother, but he just stood me on my feet without even saying anything.” She pushed her lips out in a pout. “I guess they gave up waiting for you, because they got back on the train.”

They reached the doors and entered the station. “Mary!” a voice rang out and the young man in the cowboy hat came trotting across to them. 

“John!” Mary rushed into his arms. Gertie and Edie beamed as the lovers embraced and kissed. Mary said something to John, who turned and nodded toward them. They nodded back. He picked up Mary’s valise and, giving her his arm, started down the concourse.  

“All aboard,” the conductor called from the platform.

“We’d better go,” Edie called. 

Mary turned and waved to them. “Thank you! I’ll write!”

“Bye now,” Gertie shouted. They turned and ran to the train. Their porter reached out a hand to help them up the steps. 

They thanked him and walked down the corridor to their room. 

Gertie looked at herself one more time in the mirror. “The sooner I get out of this froufrou dress, the better! It looked sweet on Mary, but it’s too sweet for me! Unhook the back, will you, Edie? I’m getting ready for bed.” 

Her task completed, Edie had stretched out on the sofa, a pillow from the lower berth behind her head. “Did you see John? He is the cat’s pajamas! And that cowboy hat,” she sighed. “It gives me a real kick!” 

“Me, too! It’s the berries.  I’ll be dreaming of cowboys all night,” agreed Gertie. “I’ll take the top berth, out of consideration of your greater age.”

Edie threw the pillow at Gertie. They both giggled. “And I’ll let you! Sweet dreams, sister. Tonight we reach Las Vegas, and tomorrow, on the Detour, they’ll start to come true!”

Thursday, September 17, 2026

"Murder on the Super Chief" has made the first cut!

 


And here's what the judges had to say : 

1. Strengths and Constructive Criticisms

‘Murder on the Super Chief’ has a strong opening, establishing right away a mystery: who is this woman? The author describes the mystery woman well, with all the little details that help the reader see the scene. Through dialogue and language, the reader picks up on the differences between the two characters dining together aboard the Super Chief. Prudence is refined and educated, while “Mrs. Esposito” uses rougher language and apparently missed a few lessons in manners.

Prudence’s amateur detective skills are a powerful device for solving the mystery and also reveal her character.

A minor critique—I found Prudence’s internal thoughts on Mrs. Esposito’s character unnecessary. This information could come through during their dinner conversation, by her facial expressions or reactions, and it is there in the conversation Prudence and Maria have later (‘She wasn’t the most pleasant person”).

2. Historical Relevance of the Story

Right away, train travel takes the reader back in time. Add to that a formal dining car, a “Negro” server, the mention of Agatha Christie’s latest release, and the gossip about Clark Gable and Carole Lombard, and readers are placed in the era. Well done.

3. Quality of Character, Plot, and Setting

Prudence traveling to Chicago for a library conference immediately gives the reader a sense of an educated, well-to-do woman. She’s on her own, which displays her independence. Her detective abilities are even more believable because of her vocation.

Mrs. Esposito introduces herself as the wife of “Johnny Esposito”, which brought ‘gangster’ to the mind of this reader. One name did that. Well done.

The structure of the plot works really well and is concise. By starting with supper, the author introduces the characters and their differences, evokes the historical setting, and moves right along to the evening ‘murder.’ Pacing is very good and the story engaging.

One suggestion would be to revisit the resolution. The preceding climax—the conversation with Maria—is spot on. However, the story moves slowly thereafter. A quicker resolution (perhaps even ending with “I’ll see you at breakfast”) would complete the story and show that Prudence will play along. That could be drawn out further, adding tension (Will Prudence turn Maria in? What’s the ‘right’ thing to do?) and then finishing the story with Prudence’s decision to support Maria.

4. Quality of Voice and Point of View

Removing the internal thoughts would maintain the distance and consistency in POV. That distance is effective in pitting the reader against Prudence in solving the mystery. The author plants clues throughout the story, and during the climax, I realized I’d seen some of them, but that Prudence proved the better detective. Fun!

5. Overall Impact and Quality

What a fun piece to read! The descriptions and character development reminded me of a good film noir. The story is engaging and moves along to a fulfilling climax.

Monday, September 7, 2026

Death Valley Date Nut Bread recipe : Furnace Creek Inn, Death Valley, Frank Bible, Baker


 
The Fred Harvey Company took over management of the Furnace Creek Inn (now The Oasis at Death Valley) and Furnace Creek Ranch (now The Ranch at Death Valley) in 1956. They had taken over Painted Desert Inn in 1947 (it’s now run by the National Park Service). This was part of a post-WWII movement from track side hotels and restaurants to hotels and restaurants in the National Parks, due in large part to the drop in passenger rail travel. The Company had, of course, run El Tovar in the Grand Canyon from its building in 1905.

Mike and I spent the fouth night of our honeymoon at the Furnace Creek Ranch (even before it was called “The Oasis,” the Inn was too rich for our blood) and felt transported into a 1950s Disney movie set in a summer camp. We kept expecting a young Hayley Mills to race by. So I’m particularly attracted to this and the other Death Valley recipes. Look for recipes for Grenadines of Beef, Barbecued Beef Brisket, Sherried Shrimp with Capers, New England Clam Chowder, Vegetable Soup, Robin Salad, and Raw Spinach Salad, in the coming months. Three entrees, two soups, and two salads, that’s enough for a dozen different menus, with Death Valley Date Nut Bread for dessert.

The original recipe makes 4 8x4” loaves. I cut it down to one-quarter of the original and after a test batch, tweaked a couple of ingredients — increased the butter a smidgen, and decreased the white sugar a tad. As bakers know, recipes can seldom be just cut down without losing some of the quality. Four teaspoons of butter wasn’t enough to incorporate all of the sugar. Also, we found it a bit sweet. Dates don’t really need quite that much sugar. The second loaf was perfection.

By the way, when a recipe calls for “chopped dates” (etc.) it means to measure after chopping. When it calls for “dates, chopped” it means to measure, then chop. Or it should.

Death Valley Date Nut Bread

A rich, dark afternoon tea bread with the flavor of dates and caramel, studded with bits of chopped walnuts

Prep time
25 min
Cook time
50 min
Total time
1 hour 15 min
Serves
14

Equipment
Hand mixer, loaf pan, parchment paper

Ingredients
  • 1 cup
    chopped dates
  • 1/2 teaspoon
    baking soda
  • 3/4 cup
    boiling water
  • 2 tablespoons
    butter, room temperature
  • 3/4 cup
    white sugar
  • 1/4 cup
    brown sugar, packed
  • 1
    egg
  • 1 teaspoon
    vanilla
  • 2 cups
    flour
  • 1/8 teaspoon
    salt
  • 1/4 cup
    chopped walnuts

Preparation
  1. Step 1
    Combine chopped dates and baking soda in a small bowl. Pour boiling water over and mix. Let set 20 minutes.
  2. Step 2
    Preheat oven to 350.
  3. Step 3
    Grease an 8x4 inch loaf pan and line with parchment paper (if you have it).
  4. Step 4
    Cream butter and sugars until fully incorporated. No bits of butter should remain.
  5. Step 5
    Add egg, vanilla and salt and beat until the mixture is a light tan.
  6. Step 6
    Add half of flour (1 cup) and mix well. It will be stiff.
  7. Step 7
    Add dates with water and mix well.
  8. Step 8
    Add remaining cup of flour. Mix well.
  9. Step 9
    Fold in chopped nuts.
  10. Step 10
    Bake 50-60 minutes, until tester inserted in center comes out clean.

Monday, August 31, 2026

Op Cit Taos Mystery Book Club, KCEI Radio, and the Lunder Research Center

 A few months ago I received a gracious invitation to address that Op Cit Taos' Mystery Book Club at the Martyrs Steakhouse on Wednesday, August 19. Each member of the book club buys the book of the month and reads it in advance, then meets for lunch and a Q&A with the author. More book clubs/bookstores need to do this!

Obviously an opportunity too good to miss! I said "Yes" immediately and began to plan. I remembered that I needed to take a look at some material in a collection at the Lunder Research at the Couse-Sharp Historic site, so I made an appointment for the day before the book club meeting. I hoped that would give me Tuesday afternoon to look around Taos, as I had never been there before. I made a reservation at the Historic Taos Inn and started putting together swag bags. 


And then, the Saturday before the event, I received another invitation for an interview on a local public radio station, KCEI Cultural Energy. I'm starting to feel like a fairly average size fish in a moderately large pond, not just a guppy. 😁

Because I avoid freeways as much as possible, it's about a 3 hour drive from our house in Albuquerque to the middle of Taos, with spectacular southwestern scenery once you get past the city. It is actually possible to take state highways all the way, but that makes the trip nearly 4 hours, so I got on the 25 north of the city, then got off on the truck route that avoids Santa Fe. There are some rather windy (in both senses of the word) stretches through the mountains there, along the course of a river -- which was a welcome site, as the Rio Grande has been completely dry down here for months. Smoke from the Frijoles fire was visible for many miles and gave me brief flashbacks to the Santa Clarita fires of 2004


Downtown Taos feels like a smaller, less touristy Santa Fe (but don't say that to a local!). There's even a La Fonda in the plaza. Everything is within walking distance, and closer than it looks on the map. 


Now I have to be perfectly honest. The Historic Taos Inn was a disappointment. One reason I booked it was for the atmospheric lobby that looks like something out of a historic adobe ranch house, with its Santa Fe style sofas and chairs, the central fountain, and the eye-catching gallery. Sadly, now, it looks like a food court. It's packed with four-tops and chairs, for the nightly local live music. Forget sitting on the banco next to the sunken kiva fireplace -- tables and chairs are crammed right up next to it. 

But enough complaining 😁The staff at the Lunder Research Center could not have been more helpful or more interested in my research. They were ready for me, with everything that I'd requested pulled and on a cart in the research room, which looks and feels like a 19th-century private library. When I wasn't able to find what I was looking for, one of the archivist went above and beyond to locate the information on "Find a Grave." I swear I had looked there, but I think that I misspelled her name! In any case, I now know far more about Winnifred Shuler Berninghaus than I did. They even showed me a pencil sketch of Winnie made by -- I forget, but some famous Taos artist. 😂 I may request to use it in my book. Now I have to try to track down info on the Taos Art Association. 


Wednesday was THE day. KCEI's mission statement is, "Creating Media Voices for Youth, Arts & Activism in Northern New Mexico & Southern Colorado," and the interview questions very much reflected that. They gave me an opportunity to talk about the characters and events in Fried Chicken Castañeda in that light, such as why Tom and Martha were Jewish, the Indian Boarding School system, and the politics of small town life. You can download the interview at https://www.culturalenergy.org/mp3/suzanne%20stauffer%2029m43s19aug26-a.mp3 The conversation did not end with the end of the interview, either. Mike and I discovered a common interest in classic western movies, among other things. I'm looking forward to being invited back after French Toast comes out. Then it was off to Martyrs Steakhouse. 


The members of the Mystery Book Club were so welcoming! They'd all bought and read my book, and were especially thrilled with the swag bags I had brought -- just a feathered headband, string of beads, and bookmarks in a gold organza bag. Something fun and flappery. One question they asked that I had difficulty answering is "Where did the name 'Castañeda' come from?" I knew that it is a place in Spain and, luckily, had recently read that it was named for Pedro de Castañeda de Nájera, who chronicled Coronado's 1540 expedition into what is now New Mexico -- but nothing more. So, for those who are interested, Castañeda is a city in Cantabria, near the northern coast of Spain, off the Bay of Biscay. It's southwest of Santander. However, he was most likely from Baeza, in Jaen, which is in Andalusia, in the south of Spain. UNM's Most Splendid Company: A Database of People from Sixteenth-Century New Spain includes a biography

Then, it was back on the road for home and a different perspective on the Frijoles fire. 


Mike and I are planning a real road trip together (with Treme, of course) that will take the state highways through Jemez and Los Alamos, with a stop at the Puye Cliff Dwellings and sidetrip to Chimayó.  

Monday, August 17, 2026

Teaser No. 2 for French Toast a la Santa Fe

 June 1929. KiMo Theater, Albuquerque, New Mexico

Luis paused at the top of the staircase and looked down the dark hallway to where a window formed a grey rectangle against the night. Halfway down on the right, a dim yellow glow identified his destination. He walked to the door, then took a deep breath and stood with his shoulders back and chin tucked. He knocked on the door in the pattern he’d been given, turned the knob and stepped inside, closing the door behind him.

A single green-shaded lamp on a desk at the back of the room cast the only light in the office. He could just make out a sandy-haired man in a suit sitting behind the desk. A dark-haired man in a straight-backed wooden chair facing the desk twisted around to look at him.

“Right on time, Luis,” said the man behind the desk. “Pull up a chair.”

Luis set a chair in front of the desk and stood at attention beside it. The man in the other chair leaned over and held out his hand. Luis shook it.

“Javier Martinez, National Park Service Law Enforcement,” the man said. He wore a plaid shirt, jeans, and cowboy boots, just as Luis did.

The man behind the desk stood and reached across it. Luis shook his hand as well. “Robert Simmons, Bureau of Prohibition on loan to the NPS.” He grinned. “Just call me Bob, and” — he waved at the chair — “have a seat.”

Luis waited until Bob had resumed his seat before seating himself. He sat upright, not touching the back of the chair.

“Any trouble finding this place?” Bob asked.

Luis shook his head. “No, sir, everyone knows where the KiMo is.”

“They tell you what this is about?”

Luis nodded, “Yes, sir. They said it has to do with the looting of ancient artifacts going on at the national parks around here.” He straightened. “I volunteered for this assignment because they aren’t just old pots they are stealing. They are stealing our heritage, our history.” He looked toward Javier. “Don’t you agree?”

“I do.” Javier nodded. “Those artifacts belong to all of the Pueblo people.”

“To say nothing of it being a federal crime,” Bob interjected. “That’s where I come in.” He looked toward Javier. “You want to take it from here?”

Javier nodded and turned toward Luis. “We got a tip that a middleman working for a known dealer in stolen art in Chicago is on one of the three-day Fred Harvey Indian Detours. It’s the perfect cover. The Detours go to most of the pueblos around here and nearly everyone purchases pottery from the Indians at the pueblos. No one will question another tourist buying another pot.” He looked at Bob. “Your turn. You know more about the MO than I do.”

Bob grinned. “What we’ve been told is that the middleman meets up with the seller at the pueblos and makes the purchases. The seller usually turns over the smaller items immediately. Larger ones, they make arrangements for the transfer at a later time and place. Our informant says that the seller for Santo Domingo is currently otherwise occupied — ”

“In jail,” Javier interrupted, answering Luis’ puzzled look. “Drunk and disorderly.”

“That’s why you’re here,” Bob continued. “You’ll go undercover as the seller—”

“But,” Luis continued to look puzzled, “won’t the middleman know that I’m not the seller?”

“No,” Javier responded again. “From what we’ve been told, who the seller is all depends on what is for sale and where it came from. The middleman never knows for certain who the seller will be or even if there will be one at a given pueblo.” He shrugged. “Sometimes the seller is working for someone else, sometimes for himself, so the middleman just makes himself available and waits to be approached.”

Luis nodded and looked thoughtful.

“They tell us you know the pueblo?” Bob asked.

“Yes, sir,” Luis nodded rapidly. “I have cousins there. I visited them when we were younger.”

“Good. Then no one will wonder what you’re doing there.”

“Oh,” Luis shook his head. “I’ll make sure that no one sees me. I know how to sneak in and the best places to hide.”

Javier grinned.

“I’ll bet you do,” Bob responded, “but that’s not necessary. Your job is just to make contact with the agent, take the payment, and set up a meeting later to collect the item. Agent Martinez and I will be at that meeting and take things from there.”

Luis jumped up and held out his hand. “I understand. I won’t disappoint you, sir.”

Bob remained seated, with a wry smile on his face. “Don’t you want to know when the Detour reaches Santo Domingo? And where the meeting will be set?”

“Oh,” Luis blushed and sat down suddenly. “Of course. I’m sorry, sir.”

“Just call me Bob. The Detour will be at Santo Domingo on Sunday morning. They’ll be spending that night at the Alvarado hotel here. Tell him to meet us in the lobby at …” he paused as if considering.

“At midnight, sir?” Luis asked.

“Sure, at midnight. Why not?” Bob held out his hand. “We’ll see you at the Alvarado on Sunday night at midnight.”

Luis jumped up and pumped Bob’s hand. He turned and clasped Javier’s. “I’ll be there and so will he!” He turned and tripped over the leg of his chair, then rushed to the door and left.

***

Bob looked at Javier after the door closed and raised an eyebrow. “Are they sure about him? He’s pretty hepped up.”

“You remember your first assignment. You were just like that. Everyone is.” Javier shrugged. “Besides, he was the only volunteer with any connection to the pueblo. He’ll be fine as long as he follows orders.”

Bob looked skeptical. “Yeah, well, let’s hope he follows orders.”

***

Luis turned off the headlights of his pick-up as he left the road to approach the pueblo from the rear. The moon’s radiance turned the junipers and chamisa into black, two-dimensional silhouettes against the backdrop of the blocky, flat-roofed pueblo ahead of him. Grasses and sagebrush showed pale in the silver light.

Shifting into second gear, he allowed the truck to crawl over the rough terrain to within a few hundred yards of the pueblo. He parked behind a large juniper that shielded the truck from view from the pueblo. Setting his cowboy hat on the seat, he slipped out of the cab and carefully closed the door to avoid making any unnatural noise that would alert a light sleeper. In the distance, coyotes greeted each other with short, sharp yips and a few coughing barks. Probably planning some mischief or the other, but they sounded too far away to be a concern.

He crouched and ran lightly toward the pueblo, dodging quickly from juniper to juniper and chamisa to chamisa. He flattened himself against the back wall of the two-story building, slid to his left until he reached the corner and peered around. The stuttering hoot of a great horned owl caused him to jump slightly. He smiled to himself and shook his head. Nothing to be worried about there, either, despite the eerieness of the cry. He wasn’t one of those who believed that the owl was a harbinger of death, except, of course, to the small creatures that were its prey.

Seeing no light or movement, he stealthily slid around the corner and along the side of the building, keeping his back to wall. He held his breath as a dark shape waddled out of the plaza toward the open desert, then released it slowly as the animal continued past him, the wide streak of white down its back declaring its identity. Finally, a good omen. He waited until the skunk was far enough away not to be frightened by any movement of his.

Looking around the corner to the terraced front of the building, he saw that the ladder to the second story was propped against the wall between an open window and a closed door. He breathed a sigh of relief that he wouldn’t have to climb in front of the window or try to move the ladder. He lifted his right foot and bent his knee, to remove his boot, then stopped. Climbing the ladder quietly would be easier in his stocking feet, but he’d have to carry the boots up with him, so he’d only have one hand free. And if someone did hear him, he’d have to run through the scrub bootless. Better not risk it.

He passed under the window at a crouch, then stood and listened for any sound from the room. Hearing nothing, he tested the ladder to be sure it was stable, then stepped lightly on the first rung. The slight creak of the wood sounded like a shot in the quiet of the night, but there was no response from the pueblo. He stepped from rung to rung, pausing between each to listen. Taking a deep breath, he calmed his rapidly beating heart before stepping off of the ladder, then tiptoed carefully across the few yards of the first-story roof that formed the terrace for the second and climbed the ladder to the flat roof of the second story.

Arriving at the top, he lay flat on his belly in a corner of the parapet that ran around the roof. The only perceptible sounds were the usual chirping of insects and the occasional rustle of wind in the junipers. The owl hooted again, closer this time, hunting for its dinner. He raised his head just enough to see over the parapet. To the front, he had a clear view of the central plaza, with its circular underground kivas, ladders protruding from their entrances, and the rounded domes of adobe hornos, firewood piled next to them. Looking forward, he could just make out the road leading into the plaza. To his right, he could see the expanse of the open desert. He knew without looking down the side of the building that it was a straight drop to the ground, two stories below. A dark shadow moved across the plaza, as a cloud scudded in front of the moon.

He was in a good position. In the morning, he’d be able to see the HarveyCars arrive and any Detourist leave the party in search of a seller. He’d have to watch for his chance to get down from the roof, but everyone would be focused on the HarveyCars and the Detourists. The women would be selling their pottery and the men their jewelry, the ones who weren’t standing guard over the kivas to keep the strangers out. The Couriers would be helping the Detourists to negotiate prices, while the drivers snuck off for a smoke. No one would notice one more Indian hanging around.

He rolled over on his back and folded his arms beneath his head, his elbow just touching the parapet to his left. Might as well get comfortable. He’d be here a while. It had been years since he’d seen the thick band of glimmering stars that white people called the Milky Way. It was easy to see why some Pueblo people believed it was the path that the souls of the dead follow into the next life. He hunted for and found the stars that defined the Big Dipper, high in the northern sky. Try as he might, he was never able to see the bear that white people said it encompassed.

His eyes closed almost of their own accord and he drifted off to sleep. The yipping of coyotes and the hoots of owls gradually invaded his dreams. He watched as a dark shape shrouded the moon. Unlike the cloud, it did not move away. Rather, it grew slowly larger and, as it approached, he could feel the breeze created by great wings flapping silently in the air above him. Two massive feet with long, curving talons reached toward his face. He shouted and waved his arms, trying to drive it away. Rolling to his right, he saw several pairs of red eyes gleaming at him and could feel hot breath on his face. He rolled quickly to his left, protecting his head with his arms. He had to get off this roof. He jumped to his feet in panic, then sensed rather than saw the coyotes leap toward him. Stumbling backwards, he awoke as he felt the adobe of the parapet crack and crumble under his heels. As he plunged off the roof, his last sight was of the shining Spirit Path.